Another scene from the hiking trail. This section of rock is just to the left from yesterdays piece. The snow is on it's way tonight!6" x 6" / oil on panel / $75
I have received the Sunshine Blogger award from Mary Anne Cary. Thank you Mary Anne! A nice surprise : ) Mary Anne's work is fresh and beautiful.
Since February is Black History month I thought I'd post this piece I created last year called Safe House. I had heard a story that quilts were hung to direct slaves to freedom and decided to read up on it. I found a book called Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad by J.L. Tobin and R.G. Dobard. I found it fascinating. Among the various stories was one that compelled me to create this work. Apparently traditional "log cabin" designs had interior squares of red to symbolize the hearth fire. The people that were part of the Underground Railroad made log cabin quilts with black centers and hung them over fences and on laundry lines. When slaves (who were escaping) saw this pattern, they knew it was a safe house. Thus, the messages were "hidden in plain view". After reading up on this a bit more, I found out that historians are divided on the veracity of these quilts. It's one of those things that makes a lot of sense to me though and I choose to believe it.
Just finished this ( I think I've finished it) so I haven't come up with a title yet. I began this piece in fall and put it aside, not sure which direction to go with it. The "bones" were there, but I still had more to do. It was painted in an old cedar grove that feels quite magical. The ground is like sponge, the scent woodsy and green and once inside you're cushioned from ambient noise. Serenity. These four twisted, beautiful trunks rose from the ground and made me think of a group of old friends or siblings.
Okay - I won't say what type coffee is filling this cup! LOL
If it was a proper salute the coffee would be in the brown paper cup : ) Which reminds me...does anyone prefer coffee from the golden arches over Timmy's? Believe me - I am no great fan of that chain - but I have to call it as I taste it. I think their coffee is far superior! I know - it's almost sacrilegious to say so, but hey - that's my experience. If you don't understand the controversy, well...it's a Canadian thing ; )
Another stab at the espresso cup. It will need a few more tries till I'm happy with it, I think. A little frustrated today. I am beginning to miss plein air painting. It used to be about all I did but I have wimped out this winter. Actually, throughout this blog I have mostly been doing studio painting (and have learned a lot) but I am looking forward to slightly warmer weather, when I will go out and paint the landscape.
Sunday post: where I take the day off and post something from my website.

Perhaps I'm dreaming of summer, wanting to paint oranges and lemons. They are a nice shock of colour. Wondering if I added enough darks to the oranges? Maybe not 3-D enough. I thought about this while I was painting but then stopped myself from going further. I was conscious of wanting to keep it light and bright - but not sure if they now are reading too flat. Will have to experiment with that.
Or perhaps "Surfaces from hell" lol. But I feel pretty good. I know in summer this would have been a complete nightmare for me. So - yay! - you do learn over time : ) The vessel to the left was silver, and the green candle lantern is ribbed glass, and then there is the flower.
But really - doesn't it look like a sassy little number with her hand on her hip on the yellow carpet? I recently picked up this copper creamer - very 70s-looking - at a thrift shop. Who knew it would make a good gown?! I hear "Staying Alive" pumping in the background...
This is that beautiful, faux depression glass bowl that I bought for a buck ;-) I think what I love about it so much is the colour. When I shone the light on it, shards of robins egg blue and turquoise sparkled. I threw the lemon and cherries in there for a bit of bounce.
I keep painting these cherries while they last. Yeah...I like to buy local and all that - and definitely purchase it whenever it is an option - but I couldn't resist these cherries from Chile. First of all, I had a craving to paint them after seeing Carol Marine's, and secondly - they really do taste great. I know - it's hard to believe after coming all that way - but they taste like the ones down the road!
Sunday post (where I post something from my website): Red Herring
Yesterday was reds, today I gathered up everything I could find in my studio that was blue. So there is my new blue glass bowl, a pot of metallic ink, a favourite teacup, a spool of thread (back from when I was sewing things onto this collage) and an empty tin of Gypsy Tea (that my friend Dawn introduced me to). It is all sitting quite comfortably on a scrap of batik fabric from my sister-in-law.
I tried to play around with my still life set-up a bit more today. I tossed a couple of apples in my new red glass dollar store vase, and then laid the amaryllis bloom in front. I'm realizing that it really helps to have a number of objects right at hand in my studio, so that I don't have to "settle" with a set-up I'm not very excited about. This will mean hunting for some more items at thrift shops, and then getting a shelf to properly store said objects. Right now I have about five. Boy - if you could see my studio now...well, let's just say I've got my work cut out for me. P.S. If anyone has tips on how to title paintings a bit more creatively, I'm all ears : )
This morning over (very good) coffee my friend introduced me to an inspiring artist named Bobbie Burgers. Wow. Good thing I saw her work before I did my daily. I zipped to the dollar store and found some heavy glass vases, plucked the amaryllis bloom that opened up yesterday, and drove to the studio.
Well, actually these are the kids' paintbrushes. But I saw the jar under the sink and they looked pretty interesting. And this reminds me of one of my pet peeves: crummy paintbrushes in grade schools. I mean, really! They're wiry, plastic-y bristles with cruddy points and they don't hold paint well. How can a kid get inspired with that? (And yep - there is one of those offensive brushes on the left. I didn't buy it!) Do kids use paper protractors? Compasses made of thin bendy rubber? I think not! You need proper tools for the job. Enough said.
Sunday post from my website: Fall Jewel
This morning I met up with Patti Harris, assemblage and collage artist extraordinaire! I was picking up Pearl's Light and Pearl rocks! I just have to find her a place. Anyway, after that I went back to the studio and painted these oranges. Much, much tighter than I usually work...hmmm. I think I was trying to get my ellipses right and then had trouble painting loose strokes for fear of them getting wonky. Always more to learn : )