This is the one petunia that was left blooming in the outdoor pot. Paired with a couple of those button mums, it makes a nice combination!6" x 6" / oil on panel / $65
Today was a P.A. day, so I didn't have a chance to get out and paint. In lieu of that I am posting a piece from my website that I painted a number of years ago. It's a favourite of mine. I like the looser feel, that I didn't spell everything out, and the movement throughout the piece. It brings me peace : )
I went through two tries of painting hickory nuts. Once on their own, the second being a few tossed in a bowl. I had to wipe them both off, the second one after I'd almost completed it. Clearly it wasn't happening. By this point I was frustrated beyond measure. Then I spied these little globe mums (or whatever they are) sitting in my studio, still hanging on, offering a quiet ray of hope. I grabbed it.
Okay - tonight I'm not really playing fair ; ) I was out in a vineyard today working on a piece that is 24" x 48". I thought I'd taken a photo of it on its own, but apparently not. Today I got the preliminary drawing done. For me, it is the most vital part. That is where you have to capture the energy of the subject and composition of the piece. If it has good bones, you can move forward. If you don't feel good about it at this stage, no amount of icing can make it better. You can see a preliminary painting at a similar stage on the September 16th post.
There are quotes more applicable to this painting than the one I've posted below, but I came across this verse today and just loved it. I've never heard this song but will do a search for it.The falling leaves drift by the windowThe autumn leaves of red and goldI see your lips, the summer kissesThe sun-burned hands I used to holdSince you went away the days grow longAnd soon I'll hear old winter's songBut I miss you most of all my darlingWhen autumn leaves start to fall.Johnny MercerMuch-recorded song Autumn Leaves. Originally a French song Les Feuilles Mortes with lyrics by poet Jacques Prevért.
It's been cold and overcast with a lot of drizzle and mist. Still, it's beautiful.
This is a rowboat like no other, parked in front of a house at the historic Grimsby Beach. I painted it for a show called Local Produce: Visions of Main Street being held at the Grimsby Public Art Gallery Nov.6-Dec.6, 2009. Grimsby Beach has a number of brightly painted cottages complete with gingerbread trim. Imagine your new box of 64 Crayola crayons being melted down and splashed across old-time cottages, and you're getting close : ) It's a wonderland.
I went to the studio to paint my first oil post-workshop and forgot my solvent. So I had my hand at acrylics. I've got to say, after working only one week in oils, I am a fan! I love the way they feel. I may make a permanent conversion. So here is a little honeycrisp for you to enjoy.
This is the last piece I painted at the workshop. It was a high-key painting of grapes in a white bowl. Unfortunately, I kept losing the shape of my bowl thus it ended up looking a bit wonky. I also blended more than I wanted to. I've got the info in my head - it's just the problem of getting it to all come out consistently! Argh! : ) But it will come. Careful observation! I also realized that I need to be fully alert and energetic when beginning to paint. This may seem obvious, but really, if you get lazy, it goes south pretty quickly!

Another great day of painting with Carol Marine. The top piece, strawberries falling out of the mug, was my favourite painting from the workshop. This painting was created by doing one brush stroke, followed by another colour from the palette, and then the next brush stroke. You were never to brush more than once without putting new paint on your brush. The idea was to make deliberate strokes, thinking about value and colour with each laying down of the paint. It really did help you focus by thinking very carefully about comparisons of value and colour.


Day 2. This was the day I felt like pulling my hair out! We did 10 value studies of the same set-up (seven shown here). Mine was a lemon slice. I believe they were ten minutes long. A very good lesson in learning to see and compare value shifts. My first and tenth slice are shown on this panel. Which lemon slice do you think is the most successful? We also did further value studies with predominant, mid and "smidge" value compositions. Here are 2 of the 3. Another great day.


Finally... a Florida posting! First (indulge me) I am posting a picture of the spanish moss hanging from the trees. Really very cool. Something I'd read about but had never seen. And it looks great as Halloween approaches : )
Another work in progress. This is a piece I didn't get completed when I was out painting. So now I have it back in the studio and am re-working it. I imagine it will develop quite a bit and take on a few different personalities. It does look a little scary right now, but there are many changes ahead. Of course, I will keep you posted!
Hmmm...what was I thinking about today? lol A warm kiss on a gray, cold, windy day : ) My mother-in-law kindly picked the remains of our garden for us, as we are expecting a second frost tonight. She pulled some monster carrots, a beet or two, a couple of parsnips and loads of these hot peppers.
Today was a catch-up day. I worked further on the painting from yesterday and have finished it. I also took a plein air canvas from the "junk" pile and began re-working it. That one will take some time before it's done. Anyway - just looking at this piece from yesterday reminds me how much warmer it was! Yesterday did have a bit of a chill, but the sun was strong. Today - not so much!
Today I was painting plein air and surrounded in beauty. It had warmed up a bit from the chilly 7˚C in the morning but was windy. My easel and canvas kept blowing over >: ( The light conditions were changing like mad as the clouds kept covering the sun. But it was a good day. Here is the piece so far. Unfortunately I wasn't able to complete it - the foreground still needs to be developed. Right now as you can see it is just a dark mass. But I think it's headed in the right direction!
Today I tried the gourds again using my shadow box. Of course, it made a difference. I prefer this painting leaps and bounds over the one from Saturday although the gourd in the foreground was a struggle. It's a tear drop shape and was difficult to get the form properly shadowed and highlighted. It's also multi-coloured with a lot of bumps and dirt rubbed into the skin. I was trying to not get distracted with the local colour and concentrate on the form but it was a challenge!
Thanksgiving Sunday! It's bright and sunny and fresh. I hope everyone is able to enjoy their day. Today I am posting a diptych I painted last spring of a birch. It was at the same property where I had painted the Old Growth Cedar (October 4th post). Last week I didn't know if I'd see this painting again as it was misplaced after a show - but it has been found and a friend is holding it for me for pick-up on Tuesday. Great news! Because it's not on hand, I can't give you the dimensions for certain, but as I recall, each canvas is 10" x 30". Have a great day!
It is Thanksgiving weekend here in Canada. A time to celebrate our harvest. It's a perfect fall day - a nice 13˚C (55.5˚F). Crisp & sunny. Pumpkins, grapes, corn and pies are at all the markets. Wonderful! Today I picked up 3 tiny gourds to paint. Unfortunately I was working without my awesome shadow box (see September 28th post). Perhaps Monday I'll paint the third gourd into the mix and see the difference working under proper lighting gives!
Finished! Last night my young client thought the sides looked a little rough and said "No offence, but I don't think that part is finished. There should be trees there". I told him that was just the style. He genuinely seemed okay with that, and then told me he thought it was "AWESOME!". 
Hogwarts will be done after one more session! So I did what I mentioned in the last post, plus changed the path a bit. When I was deciding what to do about the moon, a friend suggested cutting out a paper circle and taping it on to see where/if I'd like to place it (thanks Sandy!) So here are the 2 places I liked it best. What do you think? By the way, it was a bright orange piece of paper and when I paint my moon, it will be the gold colour used in the castle, mixed with white (so as to also tie the colour of the statues in to the piece).
Today I took a break from Hogwarts. I went out and painted plein air and returned to the location where I had painted Twisted apple and worked on it some more. I was still feeling frustrated and at the end of the afternoon asked fellow painter, Laurie Wonfor Nolan (whose work I ADORE!) for help. She gave me a few suggestions and I intend to try them this week. Will post again when it is finally completed, if I haven't shredded it in despair ; ) Then, after struggling for a couple of hours, I took out one of my 6" x 6" canvasses and did this sketch in the blink of an eye (okay - not literally). Funny how that works.
Okay - so this is todays progress. I have to darken the concrete pillars at the base of the castle, paint some trees in the foreground, add a small tower and chimney and possibly put in some clouds and a moon. Not sure if I should put the clouds in...think it might wreck it. I also want to darken the jade green on the side of the cliffs. But the end is in sight!


For those readers new to my blog, Sunday's I take the day off and post a painting previously done. Today I am posting a triptych of an old-growth cedar. I was in love with this tree! It was in a cedar grove on a private property in Dundas. The texture and rhythm of the bark was fantastic. Ideally, it is meant to hang vertically, to form one awesome, majestic tree. It needs a home with a tall wall. Tomorrow, back to Hogwarts : )

Daily painting of another kind. Today I finally began the mural one of my children has been patiently waiting for since June. Hogwarts Castle. I had been procrastinating because...well, quite frankly it looked rather intimidating! But I buckled down and started the process today. I bought small pots of paint from Benjamin Moore which are working quite well. I drew the castle on the wall with a chalk pastel as it's the only thing I had handy. I drew it all freehand. No projections, no rulers - I just dove right in. He's not a tough critic : ) Anyway, this will be my job the next few days until it's completed and I have a happy customer. Because there just aren't enough hours in the day, I will be posting the progress of the work on this painting as my daily paintings. Wish me luck!
Today I had the pleasure of painting with a fellow artist friend Katalin, in Port Dalhousie. We walked down the pier, parked ourselves and began to paint. I had dressed warmly but let me tell ya - the wind coming off the water was pretty frigid. Our fingers were getting stiff, but it was fun. The water and the concrete was a challenge - I kept thinking "What would Edward do?" lol